{"title":"Austria","description":"\u003cp\u003eAustria punched well above its weight in graphic design during the late 19th and early 20th centuries. Vienna in particular became a center of the Secession movement, where artists rejected academic convention in favor of bold geometry, flat color, and lettering treated as visual form. That sensibility carried directly into commercial work, shaping how Austrian designers approached everything from exhibition announcements to travel campaigns. The pieces shown here are period originals from that tradition.\u003c\/p\u003e","products":[{"product_id":"weiner-ice-skating","title":"Vienna Ice Skating","description":"\u003cdiv\u003e\n\u003cp\u003eThis original 1961–62 program hails from Austria and was created for the \u003cem\u003eWiener Eisrevue\u003c\/em\u003e (Vienna Ice Revue), one of Europe’s most celebrated ice shows of the postwar era. Titled \u003cem\u003eKapriolen\u003c\/em\u003e, meaning “Capers” or “Whims,” the production dazzled audiences with its blend of athletic artistry, choreography, and theatrical flair. Directed by Will Petter with music by renowned Austrian composer Robert Stolz, the show was staged at Vienna’s famous Wiener Stadthalle, a venue known for hosting large-scale cultural spectacles.\u003c\/p\u003e\n\u003cp\u003eThe cover artwork perfectly captures the energy and glamour of mid-century performance culture. A radiant skater bursts into motion under the spotlights, her confident leap and glittering costume embodying the optimism and showmanship that defined European entertainment in the early 1960s. The playful typography and bold use of color reflect the modern graphic design trends of the time, giving the program a joyful, celebratory tone.\u003c\/p\u003e\n\u003cp\u003eAs an original Austrian publication, this piece stands as both a tribute to the golden age of live revue performance and a charming artifact of Vienna’s postwar cultural revival.Delcampe 6\/10\/24\u003c\/p\u003e\n\u003cp data-label=\"Size\"\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e 11.0\" x 8.5\"\u003c\/p\u003e\n\u003cp data-label=\"Condition\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very Good, *Please note this listing is for the cover art, and not the program as a whole. Age appropriate fading, toning and wear. Marks\/wear as per photo. Faint background creasing. Please use zoom feature to get a better understanding of overall condition. \u003c\/p\u003e\n\u003c\/div\u003e","brand":"Authentic Vintage Posters","offers":[{"title":"Default Title","offer_id":42182644826227,"sku":"CA3926","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/3005\/8556\/files\/WEINER.jpg?v=1762377385"},{"product_id":"beush-die-latterman","title":"Latterman, Woman's Driving School","description":"\u003cp\u003eWer noch nicht Autofahren kann... Besuch’ die Schule Lattermann. “Whoever still cannot drive... attend the Lattermann school.”\u003c\/p\u003e\u003cp\u003eThis 1930 poster belongs to a fascinating moment in interwar European advertising, when the automobile had become both a practical technology and a cultural symbol of modern life. Driving schools emerged alongside the rapid normalization of private motor travel, and their posters often borrowed the visual language of fashion, industry, and progressive urban culture to position motoring as part of a new social order. In that context, this piece is especially compelling for the way it aligns driver education with female mobility, suggesting how closely the motorcar had become tied to new ideas of independence and public presence for women in the late Weimar period.\u003c\/p\u003e\u003cp\u003eIt also sits comfortably within the broader design currents of the era, when commercial posters in German speaking Europe favored clarity, authority, and streamlined presentation over the dense ornamental language of an earlier generation. By 1930, advertising had become a field where modern typography, metropolitan aspiration, and social change met on the street. As a result, this poster works not only as automotive ephemera, but as a document of shifting modern identity, one that places women within the expanding visual culture of speed, instruction, and self determination.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e 74.0\" x 50.0\"\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very Good, Age-appropriate wear, fading and toning. Two sheets assembled with 1\" joining strip. Age toning in center. Areas of repaired border tears. Small color touch ups. Faint scuffs. Please use the photo zoom feature to get a better understanding of overall condition. *Additional photos available upon request. \u003c\/p\u003e","brand":"Authentic Vintage Posters","offers":[{"title":"Default Title","offer_id":43113049325683,"sku":"P6466","price":2600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/3005\/8556\/files\/poster-5507-research-detail-latterman-m-BSuKnrq8NxTsbmvH7lQIEapZYSe6Xx.jpg?v=1775176168"},{"product_id":"trag-um-deiner-augen-willen-vom-optiker-die-sonnenbrillen-by-hofmann-studio-ca-1954","title":"Protect Your Eyes, Austrian Public Health","description":"\u003cp\u003eThis lithographic poster, produced by Atelier Hofmann and printed by Josef Eberle in Vienna, represents a noteworthy example of Austrian commercial graphic design from the mid-1950s. The work functions as trade association advertising, promoting the services of professional opticians through a public health framework centered on UV eye protection.\u003c\/p\u003e\u003cp\u003eThe composition employs a dramatically cropped close-up of a stylized human eye positioned above a lowered sunglasses frame, rendered in a limited palette of red, yellow, cyan, black, and gray. The geometric simplification of forms and bold color blocking reflect the influence of Swiss International Style while maintaining distinctly Austrian characteristics. The typography utilizes a clean sans-serif face with strategic color emphasis on the word 'Optiker.'\u003c\/p\u003e\u003cp\u003eThe poster emerges from a specific moment in Austrian history, as the nation transitioned from Allied occupation to full sovereignty. Consumer protection messaging and public health campaigns became important components of the emerging welfare state model. This piece demonstrates how commercial design served both mercantile and civic functions in post-war European society.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e 46.75\" x 33.25\"\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Atelier Hofmann\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very Good, Age-appropriate wear, fading and toning. Note 1\" of border creases along left border. General scattered background creases in lower areas. Faint age spotting scattered in background. Original center fold present. General border wear. Minor repaired border tears. Please use the photo zoom feature to get a better understanding of overall condition. *Additional photos available upon request. \u003c\/p\u003e","brand":"Authentic Vintage Posters","offers":[{"title":"Default Title","offer_id":45055834652787,"sku":"P7982","price":850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/3005\/8556\/files\/edited_1bd732a0-7724-4744-b43f-dad16eb1baa1.jpg?v=1781636802"}],"url":"https:\/\/www.authenticvintageposters.com\/collections\/austria.oembed?page=3","provider":"Authentic Vintage Posters","version":"1.0","type":"link"}